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  February 26, 2026

  K-Pop’s Ticketing Problem Just Became a Policy Problem

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  February 20, 2026

  Museums Are Teaming Up With K-pop—Not for Hype, but for Strategy (BLACKPINK x National Museum of Korea, Feb 27–Mar 8)

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  February 12, 2026

  BIGBANG’s 20th Anniversary Comeback: What’s Actually Confirmed — and Why the Industry Still Treats It as a 2026 Tentpole

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  February 11, 2026

  KiiiKiii’s “404 (New Era)” Hits Melon TOP100 No. 1 — The Reverse-Climb Win Behind the Community Spike

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  February 10, 2026

  How a Single Livestream Moment Reset the “NingSelle” Conversation

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  February 9, 2026

  From Global Comeback to Daily Reality: How BTS’s “The City Arirang Seoul” Is Being Felt on the Ground

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  February 6, 2026

  Stray Kids’ Concert Film Release Fuels Debate Over K-Pop’s “Theatrical-First” Strategy

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  February 5, 2026

  2026: The Year of the Great Return — How BTS, BLACKPINK, and EXO Are Driving K-pop’s Biggest Comeback Wave

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  February 4, 2026

  Seoul Braces for “BTS at Gwanghwamun” as Korea Prepares Crowd Controls, Transit Changes, and Price-Gouging Crackdowns

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  February 2, 2026

  IVE’s Latest Comeback Reinforces Starship Entertainment’s Position in the Post–Fourth-Generation K-pop Market

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